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                                            <image:caption>&lt;span class=&quot;inner-page-copy&quot;&gt;[07] &lt;/span&gt;&lt;br /&gt;Frank van Klingeren, De Meerpaal, Dronten, 1965-67. Undated photo by Jaap Doeser. </image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2623605216874849574119606276883/5_Writing-Sample_Saricayir_Against-the-privatised-the-preconditioned-and-the-asylum-like-Frank-van-Klingeren-s-challenge-to-open-architecture.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span class=&quot;inner-page-copy&quot;&gt;[06]&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
Frank van Klingeren, the plan of Het Karregat, Eindhoven, 1973. Het Nieuwe Instituut, Rotterdam, KLIN.110510480, KLIN d12-2.&lt;br /&gt;&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span class=&quot;inner-page-copy&quot;&gt;[05]&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
Rusya: Osmanlı-Rus Harbi: Kars&amp;#x27;ta abide-i zafer [Russia: The Ottoman-Russian War, The victory monument in Kars], Kars, 1911. Photograph. The Directorate of State Archives of the Presidency of the Republic of Turkey, HR. SYS 1229/8.&lt;/div&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/M2623620775818032032588335895315/Picture1.jpg</image:loc>
                                            <image:caption>&lt;span class=&quot;inner-page-copy&quot;&gt;[02]&lt;/span&gt;&lt;br /&gt;“The Map of the City of Batum,” by N. M. Dakishevich, 1887-1889, The State Archives of Adjara, Batumi, f.6, o.1, d.99, l.3.</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span class=&quot;inner-page-copy&quot;&gt;[04] &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
Constant, New Babylon, 1961. Collection Het Nieuwe Instituut, archive Academie van Bouwkunst Amsterdam. &lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span class=&quot;inner-page-copy&quot;&gt;[01]&lt;/span&gt;&lt;span class=&quot;caption&quot;&gt;&lt;br /&gt;
Ahmet Öğüt, &lt;i&gt;Bakunin‘s Barricade,&lt;/i&gt; 2015, various materials. A barricade inspired by Mikhail A. Bakunin’s unrealized proposal from 1849. Installation view, Kunsthal Charlottenborg, 2017.&lt;/span&gt;&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span class=&quot;inner-page-copy&quot;&gt;[01]&lt;/span&gt;&lt;span class=&quot;caption&quot;&gt;&lt;br /&gt;
Ahmet Öğüt, &lt;i&gt;Bakunin‘s Barricade,&lt;/i&gt; 2015, various materials. A barricade inspired by Mikhail A. Bakunin’s unrealized proposal from 1849. Installation view, Kunsthal Charlottenborg, 2017.&lt;/span&gt;&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span class=&quot;inner-page-copy&quot;&gt;[02] &lt;/span&gt;&lt;span class=&quot;caption&quot;&gt;&lt;br /&gt;
Left to right: Vladimir Tatlin, The Monument to the Third International, c. 1920s; Rasheed Araeen, Homage to Tatlin, 1968; Zaha Hadid, Tower Scheme for the Guggenheim Museum, 1992.&lt;/span&gt;&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span class=&quot;inner-page-copy&quot;&gt;[01]&lt;/span&gt;&lt;span class=&quot;caption&quot;&gt;&lt;br /&gt;
&lt;br /&gt;
Ahmet Öğüt, &lt;i&gt;Bakunin‘s Barricade,&lt;/i&gt; 2015, various materials. A barricade inspired by Mikhail A. Bakunin’s unrealized proposal from 1849. Installation view, Kunsthal Charlottenborg, 2017.&lt;br /&gt;
 &lt;br /&gt;&lt;br /&gt;
&lt;b&gt;“Architecture or Revolution”? Intersections of Politics and Design&lt;br /&gt;
&lt;br /&gt;
&lt;/b&gt; Regarding the social unrest of his time, the famous modernist architect Le Corbusier once stated that it’s either “architecture or revolution.” But what about architecture in revolution and as revolution? How has architecture been put in the service of radical politics? And how have architects translated their ideologies into design? In this course, we will look at the intersection of architecture and radical politics by reading, among other, leftist European architects and Soviet avant-gardists who used architecture to restructure society along with socialist and social-democratic principles; about architectures of fascism and crony capitalism; and about designers from both the radical left and right who theorized total destruction as the precondition for their utopias (or dystopias). Writing assignments for the course include manifesto, visual analysis, critical essay, and petition.&lt;/span&gt;&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span class=&quot;inner-page-copy&quot;&gt;[01]&lt;/span&gt;&lt;span class=&quot;caption&quot;&gt;&lt;br /&gt;
&lt;br /&gt;
Ahmet Öğüt, &lt;i&gt;Bakunin‘s Barricade,&lt;/i&gt; 2015, various materials. A barricade inspired by Mikhail A. Bakunin’s unrealized proposal from 1849. Installation view, Kunsthal Charlottenborg, 2017.&lt;br /&gt;
 &lt;br /&gt;&lt;br /&gt;
&lt;b&gt;“Architecture or Revolution”? Intersections of Politics and Design&lt;br /&gt;
&lt;br /&gt;
&lt;/b&gt; Regarding the social unrest of his time, the famous modernist architect Le Corbusier once stated that it’s either “architecture or revolution.” But what about architecture in revolution and as revolution? How has architecture been put in the service of radical politics? And how have architects translated their ideologies into design? In this course, we will look at the intersection of architecture and radical politics by reading, among other, leftist European architects and Soviet avant-gardists who used architecture to restructure society along with socialist and social-democratic principles; about architectures of fascism and crony capitalism; and about designers from both the radical left and right who theorized total destruction as the precondition for their utopias (or dystopias). Writing assignments for the course include manifesto, visual analysis, critical essay, and petition.&lt;/span&gt;&lt;/div&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2674669248238188501607756813075/Screenshot-2025-11-30-at-8.08.18PM.png</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span class=&quot;inner-page-copy&quot;&gt;[02] &lt;/span&gt;&lt;span class=&quot;caption&quot;&gt;&lt;br /&gt;
&lt;br /&gt;
Left to right: Vladimir Tatlin, The Monument to the Third International, c. 1920s; Rasheed Araeen, Homage to Tatlin, 1968; Zaha Hadid, Tower Scheme for the Guggenheim Museum, 1992.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;

&lt;br /&gt;
&lt;br /&gt;
&lt;div style=&quot;text-align: left&quot;&gt;&lt;b&gt;History of Modern Architecture&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;This class reviews modern architectural developments across the world from the Enlightenment to the post-modern period. Structured roughly chronologically, each week is anchored in a sociopolitical transformation that impacted architectural design and thought. Over th&lt;/div&gt;&lt;div style=&quot;text-align: left&quot;&gt;e course of the semester, we will look at the origins of modern architecture and trace several trajectories of the modern movement through the perspective of historical revolutions and revolutionary moments. This survey of modern architecture aims to achieve a geopolitically conscious understanding of architecture by familiarizing students with the chronology and geography of various architectural developments; with the global and intertwined intellectual, social, political, and economic transformations within which these architectural developments took shape; and with various key architects and architectural movements and theories.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
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